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This is a big and lucrative niche—and, by definition, an unhip one, because it suggests that respectable suburban family life can be pretty good. The song reached No. By implication, so is he. And his touring bassist, Kenny Lewis, once spent the better part of a year playing with the legendarily wild country outlaw David Allan Coe, an oft-incarcerated man who makes Otis Bad Blake look like—well, like Brad Paisley.
Compared with just about any other style, country music remains a fairly orderly business. A handful of hit singles makes an album a success; a handful of hit albums makes a singer a star. A hit Brad Paisley album might sell a million and a half copies today; a few years ago the figure was twice that. Paisley can, of course, do that, and had sold about ten thousand tickets in Des Moines, priced between thirty-nine and fifty-nine dollars, which meant gross revenues of about half a million dollars, not counting merchandise; he does about eighty concerts per year.
The spread in Des Moines that Friday morning included a heaping platter of spare ribs, with cream puffs for dessert, one of which Paisley took back to the bus.
Paisley raised an eyebrow. They say that anytime I say anything! Paisley was reminded of one of his favorite topics: a drum solo that Sesar had recorded on cassette, when he was in junior high school, for a girl he liked. Sesar has a copy, and Paisley has spent years trying to persuade him to share it.
And the only way out of it is if I can hear that tape. Paul, near the stage. It was the biggest show of the weekend and he was wearing a faded pink T-shirt and a West Virginia University baseball cap.
He must have looked inconspicuous, because when he ambled into the catering room for lunch a security guard—a bespectacled African-American man in his sixties—stepped in front of him and asked to see his laminated pass. Paisley stayed silent, and Marcy explained that Paisley was the guy whose face was on the passes; the guard laughed at his mistake and waved everyone through.
But this is what he looks like. In a recent No. Paisley thinks that country singers should be able to take pride in their audience, albeit carefully. Last summer, he added Michael Jackson to his video montage of dead celebrities, but Jackson got booed. So he took him out. The country-music tribe got especially tribal in the aughts, when country music acquired a sharply partisan identity. Many of these songs and incidents were less politically charged than they seemed.
Still, this fervor reflected something true about the sensibilities and the politics of country-music listeners, and it hardened the prejudices of many liberals, plenty of whom probably had some anti-country prejudice to begin with. For his latest album, Paisley recorded a song that was guaranteed to startle some country fans.
Glory, glory, hallelujah! In the context of country music, the clear reference to the Ku Klux Klan is probably less unexpected than the coded salute to President Obama. What he remembers most vividly is the awkwardness presented by the various school dances. Although the lyrics are pretty anodyne, the song still functions as a form of affectionate provocation; it was born, in part, of the same impulse that leads Paisley to needle his drummer whenever he can.
He wanted to reassure d. For the first time in years, he felt some anxiety as he watched the weekly charts. The song was a big hit, but it ended his streak of No. But in St. He made a point of scrambling his cultural signifiers. In the bus, after the show, Paisley was exuberant. In St. Paul, the contingent of picture-seekers included a formidable ninety-two-year-old country-music fan.
And he said he sang a little bit, too. He had clearly found a new favorite fan. Paisley signed an acoustic guitar for a local radio station, and looked at it appraisingly. If it does get wet, we recommend towel drying immediately to remove any moisture or leaving in the sunshine to dry. Some artisan cowboy hats cost thousands of dollars. The great news is that there is a cowboy hat for every budget!
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